Fake watches: Since its grand entry into the watchmaking industry in 1987 under the name Première, Chanel has succeeded in projecting a unique style, with precise aesthetic codes executed with exemplary consistency. And, unlike traditional Swiss watchmakers, who have historically put the movement under control, Chanel has put the movement, the mechanism, completely tied to aesthetics. Function follows form. Or, in other words, the movement is dictated by the style.
Having climbed the rungs of the ladder that leads to what is traditionally called Haute Horlogerie, Chanel has gained acceptance while reaffirming and reiterating its permanent stylistic codes: black, white, geometric shapes, quilting, pearls, the camellia, etc. .
This consistency and rigor have made each of their watch models a lasting success. The famous J12, for example,
lends itself to all kinds of evolutions without ever deviating from its strong and elegant personality.
The latest in the line, the groundbreaking Boy∙Friend, demonstrating these qualities again with the Caliber 3, which was specifically designed to fit inside the existing watch case.
A skeleton clock
This fall, Chanel’s Boy∙Friend Skeleton Caliber 3 received the Ladies Watch Award at the GPHG. Chanel won the same award the year before, for the Première Squelette Camélia Caliber 2. (Chanel has won a total of five GPHG Grands Prix). So how can we explain two wins, in two consecutive years, both for skeleton-type mechanical fake watches, for ladies? High Quality Replica Watches
The term “skeletonized” is, in fact, a category of traditional watchmaking, the introduction of which we can thank the watchmaker André-Charles Caron, who, in 1760, was the first person to get rid of a dial, in order to better reveal the secrets of the movement. what was underneath. The operation known as “skeletonization” generally consists of hollowing out as much of the components and structure of the movement as possible to produce the greatest visibility, a bit like a mechanical fit.
In the vast majority of cases, this operation is executed on an existing movement, which is perforated, cut, lightened and adapted to produce a particular visual configuration.
But Chanel, with its Calibers 2 and 3 that were entirely designed and created in-house, took a completely different approach.
The function follows the form
The traditional watchmaker takes the movement as his starting point. Find the best way to outline it, arrange the components, adjust its architecture and finish the movement according to the style you want to give the watch.
He then makes sure the case fits, and fits the entire watch. Although this is a remarkable feat in itself, Chanel
takes the opposite approach. Because of her history, the Chanel myth, her ascendancy over the world of haute couture, Paris, Chanel has none of this watchmaking background. What she does have is the immense legacy of Gabrielle Chanel, brilliantly preserved and enhanced by Karl Lagerfeld, and her strong and enduring identity.
Chanel takes style, not technique, as its starting point. And she depends on the latter to adapt to the former. In this case, if she was based on what was released in 2015, she had an androgynous style, some have even called it transgender. It is a men’s watch, intended for women; women who are now as knowledgeable about mechanical watchmaking as men,
but who nonetheless prefer not to see their aesthetics overshadowed by technical considerations. fake watches uk
Thus, Caliber 3 appears to be suspended within its natural environment, sandwiched between two beveled sapphire crystals. The beige gold case and the black movement with its gold edges form a single indivisible whole, a vision of lightness and coherence.
The long road to aesthetic coherence
But for style to be achieved and consistency to be achieved, considerable skill is needed
and sometimes cutting edge research has to be done to find the best technical solution. Disc wheels, designed by stylists, are a good example. They venture beyond mere functionality to play an additional aesthetic role,
supporting the three circles that dominate and structure the design.
It is no coincidence that most of the wheels used in watchmaking have spokes. They provide strength and rigidity, and help keep them perfectly flat. The disc wheels that characterize the Caliber 3 are difficult, if not impossible, to execute using traditional techniques,
so here they have been created by 3D printing, using a procedure known as galvanic growth. It is a complex technological procedure that has apparently never been used before for watch movement parts. fake watches
Another stylistic element that presented a considerable technical challenge was the finishing of the suspension bridges,
which are in a harmonious combination of black ADLC (amorphous diamond-amorphous carbon) coating and beveled edges galvanized with beige gold.
This individual element is subject to two different treatments, which must fit together perfectly. The ultimate goal is that stylistically, the movement, bezel, and case should form a single sculpture,
and the shapes should be defined by just two colors:
the unusual shimmer of 18k beige gold against the black surface treatments.
There’s also the diamond bezel that frames the jewelry version of the Boy∙Friend Skeleton Caliber 3.
An immediate success
On its introduction at the Baselworld 2018 watch fair,
the Boy∙Friend Skeleton Caliber 3 immediately earned praise for its horological relevance and confident style. It speaks not only to the superlative technical prowess of Chanel fake‘s watchmaking teams, but also to the impeccable good taste that defines Chanel’s style and makes it so timeless. But the most valuable verdict is probably that of those women for whom this ingenious and sophisticated Boy∙Friend is intended,
and who see in this “transgender mechanical skeleton” a formal purity that will never go out of style.
